Up until this point, synthetic music was created through the slow and arduous statistical task of discerning what note should follow another, without any coordination of first, last, and all notes in between. As an alternative, genetic programming could produce at most 10 note hooks. In the former case, humans were the ultimate judge of the music's quality. In the latter case of genetic programming, artificial neural nets could be used to model human tastes, but the generative component was prone to combinatorial explosion.
In contrast, our founder built a musical Creativity Machine in 2005 whose generator net produced candidate melodies as a discriminator net reinforced especially promising tunes. Intermittently, the discriminator would observe the facial expression of a human volunteer to iteratively refine the Creativity Machine's musical output. From this experiment IEI released an album of 14 original musical compositions called Song of the Neurons: Hymns of a Cosmic Religion".
As an interesting aside, the album's appeal was largely a function of any qualifications made preceding its play. If nothing was mentioned about an AI involvement, it was received as interesting and entertaining. Revealing the music's origin, it was largely rejected and sometimes even reviled, especially among musicians.